It’s a different kind of horror: a horror based in a world where science is ominous and uncanny, and where the rise of industry is truly captured in a terrible sense of the unfeeling, unthinking ‘Machine’. It feels more Lovecraftian than even the Lovecraft games, and it’s impressive to find just how horrific the giant pistons and engine rooms can be, even when compared to the dank hallways of The Dark Descent. Taking a bold and refreshing departure from the locations of the first Amnesia, this title avoids simply falling back on the old world castle feel and instead replaces it with a steampunk-horror mashup. Each of these locations is lovingly rendered and is a pleasure to explore. The sheer variety of settings alone is intriguing: wealthy upper-class residences, dingy backstreet alleys, ominous rustic churches, creaking slaughterhouses. A short exploration of the mansion fills Mandus with the need to find his two missing sons, and a mysterious voice on the telephone tells him that they are being held captive deep beneath the home.Īs far as exploration and visual appeal go, A Machine for Pigs is a solid success. You play the role of the wealth Londoner Oswald Mandus, who awakens in his empty house with no memory of the past few months. So it was with great excitement that I first heard about two of my favorite video game creators teaming up on a project together: Frictional Games (The Penumbra Series, Amnesia: The Dark Descent) and thechineseroom (Dear Esther).Ī Machine for Pigs starts off following closely in the footsteps of its predecessor, in a first-person adventure mode with only basic object manipulation available. In the industries, we occasionally get the thrill of seeing creators build powerhouse partnerships in the same way, like Neil Gaiman and Terry Pratchett teaming up for Good Omens. We all doff our hats at whatever brave young person first stumbled on the idea of putting chocolate and peanut butter together. There’s a special art to mixing things together.
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